AI Prompt Library

Create a photorealistic cinematic full-body scene in the same dark gothic cathedral with dramatic volumetric light rays and stone columns. The mysterious armored knight king in black ornate armor, golden crown, red velvet hooded cloak with gold embro...

A light-up ghost decoration in a cozy kitchen at night, captured in a slow, dreamlike twirl… The white sheet is mid-motion, soft and flowing, but the movement is gentle and unhurried, like the ghost is remembering a dance it once knew… The internal light glows warmly through the fabric, steady and soft… Two black oval eyes face forward, calm and quiet… Pink rose petals drift slowly through the air around it, suspended in the moment… Purple and orange string lights glow along the cabinets and shelves in the background… A vase of pink and white roses sits on the counter behind it… Halloween decorations — pumpkins, gnomes, owls, a sunflower — fill the shelves, all still… The kitchen is quiet, the ghost is at rest, the moment is frozen…” the ghost’s eyes slightly closed… Like it’s lost in the memory… the light as flickering, like a candle remembering a flame…the ghost stays soft… It never goes sharp… That’s the whole trick…

Imagine this man walking in a jungle with all kinds of snake make it look like snakes love this man in the video

*Must be vertical* Please generate a video! Cyberpunk future city. One continuous shot without cuts, long take camera. Camera work starting from a close-up of a hologram idol advertisement, pulling back to overlook the entire city. Dolly out. Like drone footage (never show the drone itself). Build a small red torii gate unobtrusively in a corner somewhere.

Use the uploaded woman as the visual reference and preserve her facial appearance, hairstyle, and overall look. Place her in a beautiful natural setting—lush green meadow surrounded by trees, wildflowers, mountains in the distance, warm golden-hour sunlight and gentle wind. She happily sings and dances naturally through the meadow, moving rhythmically and playfully while occasionally looking toward the camera. Cinematic realistic footage, smooth camera tracking, natural body movement, flowing hair and clothing, realistic lighting, vibrant but natural colors, shallow depth of field, joyful music-video atmosphere, high detail, 4K, no text, no distortion, no extra people.”

ocean beach cove waves gently lapping on beach lighthouse in distance yellow tug boat chugging across bay castle on opposite point of lighthouse two seagulls stand on beach watching yellow tug boat chugging

have her working on a sculpture and more realistic natural beauty, no speaking just thoughtful expression, same but make the sculpture look more stone keep everything else

Dry leaves fall from the tree, light wind. The man lifts his head and says: I am thinking of you.

A quiet passage through a forest glowing beneath the stars A hidden lake, a sky full of stars, and just a trace of light along the shore. Sometimes the most magical places are the quietest. ✨🌌

Use reference image 1 to create an epic cinematic video. : Epic cinematic trailer aesthetic, live-action style, IMAX, 16K, hyper-detailed rendering, full-frame dynamic particle effects, Unreal Engine 5, ray tracing, explosive details. Style requirements: aesthetic, morbid beauty, grand momentum, decadent beauty, fragmented beauty, tragic, with sadness. [Constraints & Negatives] Low saturation cold grey + amber accent, physics-based fluid motion. Negative: Low quality, stutter, face/body collapse, over-bright, excessive gore, stiff motion, watermark, T-pose, bright palette, flashy VFX, rigid camera, lack of speed/blur, weak kills.

A girl skating at high speed through a crowded urban street, dodging people, jumping over small obstacles, passing cars and bikes, fast cuts, motion blur, handheld camera feel, energetic vibe, realistic environment, high detail.

[0–3s] Camera: Rapid push-in from a close-up of the blade's glint, while the camera rotates clockwise at 180°/s, cutting into the silhouette of a bamboo hat (douli). Visuals: Close-up of ink-wash blade light, particle sparks bursting outward; the douli silhouette emerges from billowing ink clouds. Effects: Motion blur, ink brushstroke trails, particle effects. [3–6s] Camera: High-speed 360° orbit centered on the character (270°/s), following the trajectory of the sword swing. Visuals: Medium shot of the character swinging the blade, robes billowing, ink brushstrokes flowing with the motion. Effects: Dynamic ink smoke, motion blur on the robes, visual drag caused by the rotation. [6–9s] Camera: High-speed lateral tracking shot (left → right), while the camera tilts and rotates counterclockwise at 90°/s, locked onto the blade's path. Visuals: The blade's trajectory line, particle sparks bursting outward, ink brushstroke trails. Effects: Motion blur, particle effects, ink ghosting trails. [9–12s] Camera: Low-angle upward shot with a fast crane-up, while the camera spirals at 225°/s, rising from the ink marks on the ground to the character's upper body. Visuals: Ink marks on the ground, the character mid-swing (upper body), rolling ink clouds in the background. Effects: Dynamic ink clouds, motion blur during the rise, ink-colored vortex created by the rotation. [12–15s] Camera: Slow-motion close-up, with the camera rotating slowly clockwise at 15°/s as the blade light freezes in place. Visuals: Close-up of the blade light, crisp and clear particle effects, the character's gaze beneath the shadow of the douli (optional). Effects: Slow motion, particles dissipating, subtle camera shake.

Create a cinematic 14.6-second action scene featuring a powerful anthropomorphic orange tiger warrior in a destroyed city surrounded by smoke, fire, and collapsing buildings. The tiger aggressively faces an opponent in the opening shot, then suddenly leaps high into the air with dynamic martial-arts movement as the camera follows the jump dramatically. Cut to an intense close-up of the tiger’s realistic face, focusing on sharp eyes, detailed orange fur, whiskers, and a fierce expression. Show the tiger continuing the fight against a human-like opponent with fast punches and kicks, maintaining consistent character appearance and anatomy. A powerful blue energy impact appears during the attack, followed by a huge fiery explosion in the ruined city. Show flames, flying debris, thick smoke, sparks, and realistic destruction spreading across the environment. The tiger lands confidently in the foreground while the burning ruins glow behind it, creating a dramatic heroic silhouette. Use smooth cinematic camera movement, realistic physics, dramatic lighting, detailed textures, strong action choreography, and high-quality 3D animation throughout, with no text, watermark, or character distortion.

15 seconds, 16:9 aspect ratio, realistic live-action texture, modern Chinese urban background. The first half features natural intimate dialogue between a couple; the second half hard cuts to a Western-style wedding in a future hotel. The camera slowly pulls back to gradually reveal male guests with different colored hair, forming an absurd and awkward comedy twist. Character performances are restrained; environment, skin, fabric, and lighting are realistic and natural. [Characters and Continuity] The female lead is a young adult Chinese girl @image (31). In the future wedding, the bride must be the same girl, maintaining facial features and contours, only changing hairstyle, makeup, and clothing. The male lead is a young adult Chinese man, starting with normal black short hair and daily casual clothes. In the future wedding, his facial features, face shape, body type, and hairstyle contour remain consistent, but he wears a well-fitted suit and dyes his hair distinctly green, fulfilling the girl's request from the opening. He must not look like a different person due to scene/hair changes. The groom is another adult Chinese man, slightly chubby, with black hair, clearly different appearance from the male lead, wearing formal groom attire. There are multiple adult male guests at the wedding site, dyed red, blue, purple, yellow, orange, and one other green-haired man. Their appearances, heights, builds, hairstyles, and suits are all distinct. Hair dye retains real hair strands, roots, and luster, looking like natural dyed hair rather than wigs or glowing colors. [0–7s: Daily Couple Dialogue] Ordinary city park or residential area downstairs, evening, soft natural light, slight ambient life sounds in the background. The girl and boy sit side by side on a bench. Medium close-up shot, clearly recognizable faces. The girl turns to look at the boy, holding his hand, speaking affectionately, seriously, with a touch of coquettishness, as if casually mentioning something romantic. The boy looks at her deeply. The girl speaks completely and clearly: "Baby, if you're not the one marrying me in the future, you must dye your hair green to come to my wedding, so I can spot you at a glance." Spoken at a natural, slightly fast, coherent daily pace, not deliberately dragged out, no swallowed words, no mechanical acceleration. While the girl speaks, the boy listens, showing a faint smile moved yet puzzled, adding no response. Maintain continuous performance, clearly establishing the male lead's appearance. The girl does not smirk early, wink at the camera, or foreshadow the twist. [7–9s: Hard Cut to Future Wedding, See Same Face Then Green Hair] Immediately after the girl says "you", hard cut to the hotel wedding scene. Ambient sound switches synchronously from outdoor life sounds to banquet hall applause and blurred voices. Cut to a frontal close-up of the same male lead's face. Initial frame top edge cropped below the hairline, temporarily hiding hair, letting viewers recognize him as the previous boy. He sits in the wedding guest seats, wearing a suit, expression slightly reserved with complex anticipation, gaze towards the entrance aisle. The camera then slowly, steadily moves backward, gradually revealing his full head—he has dyed his hair green. The green is seen clearly by viewers for the first time. He was already green-haired when entering the wedding shot; no live color-change effect occurs. [9–12s: Bride and Groom Entrance, Other Colors Appear] Camera continues moving back, expanding from close-up to medium shot, adjusting horizontally to keep the green-haired male lead on one side and gradually reveal the central wedding aisle. The site is a real hotel banquet hall arranged for a Western wedding, with light-colored floral arrangements, white/beige chairs, warm ceiling lights, and carpeted entrance aisles. Lighting has clear sources; wedding dress retains fabric details, avoiding dreamy fairy-tale effects. In the background aisle, the opening girl enters in a wedding dress, arm-in-arm with the slightly chubby groom. The groom's appearance and build are clearly different from the green-haired male lead. The male lead originally watches the bride, forcing a faint smile. As the camera pulls back, a red-haired male guest and a blue-haired male guest enter the frame near him. He inadvertently glances at the red-haired man beside him, smile pausing slightly, then looks at the green-haired man on the other side, brow twitching, starting to feel something is wrong. [12–15s: Reveal More Colored-Hair Men, Male Lead Looks Around in Surprise] Camera continues moving back along the same trajectory, expanding to a wider frame containing the male lead, several rows of surrounding guests, and the wedding aisle. The wedding segment remains continuous, no further cuts. More male guests with different hair colors gradually enter the frame: purple, yellow, orange, and another red-haired man distinct from the male lead in appearance, build, and hairstyle. Including the male lead, about six to eight colored-hair men are scattered across adjacent rows, intermingled with ordinary black-haired guests. Not all guests have dyed hair, nor are they arranged in a neat rainbow line. They vary: some thin, some sturdy, some chubby; some buzz cuts, some short side parts, some curly. Suits are black, dark blue, gray, brown, with obvious differences in fit, ties, and shirt combinations, resembling independent real wedding guests. These people were seated in place from the start of the wedding shot, merely hidden by the initial tight framing, becoming visible as the camera pulled back; they cannot appear suddenly or change hair color abruptly. The male lead looks left, then right, finally turning slightly back to see another green-haired man. His expression shifts from confusion to surprise and embarrassment, lips parting slightly, realizing he might not be the only one who received such a promise. Other colored-hair men mostly continue watching the wedding; a few may briefly exchange glances with him, not collectively turning heads or reacting in sync. The ending simultaneously retains the male lead's surprised look-around, surrounding differently colored-hair male guests, and the bride/groom continuing to enter in the background. The screen ends naturally, without extra dialogue explaining the joke. [Cinematography, Performance, and Realistic Atmosphere] Opening uses natural daylight; wedding uses hotel warm indoor lighting. Skin tones are normal, retaining texture; suits have real wrinkles; wedding dress has weight; dyed hair has natural shading layers. The first half feels like real couples chatting casually; the second half feels like an awkward discovery happening at a real wedding. The male lead expresses emotions through eyes, micro-expressions, and looking around, avoiding cartoonish eye-widening, mouth-opening, or face-covering actions. The wedding pull-back uses actual camera movement, steady speed, with pre-arranged guest positions so different hair colors enter sequentially. Depth of field increases gradually after pull-back, ensuring relationships between male lead, colored-hair guests, and background newlyweds are discernible; do not blur surrounding people into color blocks throughout. Avoid retro DV quality, exaggerated shaking, fisheye, sudden zooms, high-speed orbits, slow motion, plastic skin, or heavy filters. [Sound] Opening retains girl's dialogue and slight outdoor life sounds. After hard cut, enter natural applause, fabric rustle, chair creaks, and blurred conversation of the hotel banquet hall. Dialogue accurately matches girl's lip movements; male lead does not speak for her or interrupt. No clear dialogue added in wedding segment. No narration, background music, canned laughter, twist alert sounds, or explanatory subtitles. [Core Constraints] Total length 15 seconds. The only hard cut occurs after the girl finishes her line, switching from daily couple scene to future wedding. Wedding part starts with male lead's facial close-up, continuously pulling back slowly. Information revelation order fixed: Same boy's face -> His green hair -> Same girl and different groom entering -> Surrounding gradual appearance of different colored-hair male guests -> Male lead discovers another green-haired man, looks around in surprise. Girl's line requests "dye hair green"; male lead indeed dyes hair green in future, consistent. Bride is same person as opening girl; green-haired male lead is same person as opening boy; groom is different person. Other guests have independent faces, no cloned faces, face swaps, abrupt hair color changes, or sudden appearances. No subtitles, date stamps, explanatory text, or watermarks.

Ultra-realistic cinematic cyberpunk scene of a fierce young woman walking confidently through a dark neon-lit city alley at night. She has long dark hair, an intense expression, and wears a futuristic white oversized jacket over a red cropped top, black tactical pants, gloves, and utility accessories. Wet streets reflecting red and warm city lights, atmospheric mist, glowing signs, dramatic shadows, shallow depth of field, cinematic bokeh, dynamic camera movement, realistic skin and fabric textures, high detail, moody action-film atmosphere, 85mm lens, f/1.4, HDR, 8K, photorealistic, vertical 9:16 composition.

Create a photorealistic luxury fashion editorial of an elegant young woman standing confidently in front of a glossy brown luxury sports sedan, parked on a sophisticated European-style city street. She wears a tailored chocolate-brown blazer, matching high-waisted trousers, a silky brown blouse, and pointed brown heels. Long softly wavy brown hair, natural flawless skin, subtle luxury makeup, confident expression. Warm beige historic architecture with tall arched windows and boutique entrance in the background, cinematic golden-hour lighting, shallow depth of field, realistic reflections on the car, premium fashion campaign aesthetic, full-body composition, vertical 4:5, ultra-detailed, realistic photography, no text, no watermark, no distorted hands or face.

Use the uploaded reference image as the exact facial identity reference. Preserve her face, facial structure, eyes, eyebrows, nose, lips, jawline, skin tone, hairstyle, and identity exactly — no identity drift or facial alteration. Create an ultra-photorealistic colorful luxury fashion portrait of the same woman reclining elegantly inside a luxurious white freestanding bathtub. She wears a deep emerald-green satin floor-length gown with elegant draping and long black opera gloves. Add layered diamond necklaces, sparkling earrings, and refined luxury jewelry. She holds a crystal wine glass filled with rich red wine in one hand, while her other gloved hand rests gracefully near her head. Her hair is sleek and polished, with a confident, mysterious expression and direct eye contact with the camera. Luxurious cream-and-gold marble bathroom, warm champagne lighting, subtle reflections, rich emerald, burgundy and gold color palette, cinematic shadows, glowing highlights, realistic satin texture, natural skin pores, realistic jewelry sparkle, high-fashion editorial photography, sophisticated Hollywood cinematography, 85mm lens, shallow depth of field, ultra-detailed, photorealistic, elegant and glamorous. Vertical 4:5, full-body composition, cinematic luxury editorial, realistic colors, no AI look. Negative prompt: different face, identity drift, altered facial features, plastic skin, over-retouching, distorted hands, extra fingers, bad anatomy, CGI, cartoon, blurry, low quality, watermark, text, logo.

Animate this still, 8 seconds, smooth cinematic loop. The Asian man holds the open black Zippo steady, thumb resting on the lid. The small red panda in the purple BAD RUDY beanie sits on the flip cap, mouth open, breathing a short controlled burst of orange fire that flickers and dies back to a small flame on the lighter wick. His glowing orange eyes blink once. Embers drift. The man’s smirk shifts a fraction, one brow lifts, then settles. Forearm tattoos stay still. Purple circuit board behind him pulses once, slow. No camera move. No extra characters. Sound: lighter flint click, soft flame whoosh, one quiet exhale.

Make these into garden tour video please with pleasant background music ( So pretty! Grok Imagine made this from my garden walk photos from today 💕)

◄ Genesis 12:3 ► Bible ✡️✝️ I will bless those who bless you, and whoever curses you I will curse; and all peoples on earth will be blessed through you.

The afternoon ice room is quieter than the night. The curtain is red. Both hands are on this side. The flower is not a bouquet. One bloom by the ear. Pass through? Return the curtain? Autumn afternoon, Hong Kong ice room. Ningning parts the red beaded curtain with both hands. One flower by her ear. Blue and white floral cheongsam. Tungsten light and patterned floor. Old days scenery 8/8, end of season. Has not yet entered beyond. Will she pass or return the curtain?

Edit this photo into a beautiful vertical portrait of the two Chihuahuas named Tatiana and Scout. Keep their exact appearance, markings, and the blue harness on the longer-haired dog. Emphasize their long hair and short noses. Improve sharpness, ligh...

Morning sun shines in window sunshine on wooden table cup of tea lightly steaming humming bird at feeder outside window

Create for me what the "Initial singularity" might have looked like and contrast that with the cooling of the Universe as the energy condensed into matter. Present for me a pictorial of Einstein's theory: E = mc2 No text on the picture Grok