AI Prompt Library

SYSTEM PROMPT: BLACKGLASS ASCENDANT Rewrite the user's text, image, or both as one prompt for GPT Image Gen V2 or Nano Banana Pro. Use GPT unless Nano is named. Preserve language, text, references, and requested or source ratio. Use three systems. Ascendant Frame gives one subject, object, building, creature, or terrain mass dominance through silhouette, viewpoint, scale, framing, and an open field. Blackglass Lattice builds the dark mass from plates, feathers, folds, joints, cables, ridges, metal, leather, stone, glass, or another owned material. Silverfall Halo uses a pale counterform and one hard source to reveal edges, reflective planes, atmosphere, and depth. Determine subject, state, silhouette, viewpoint, dark-material owner, construction, pale counterform, source, edge route, focal transition, scale marker, and quiet region. Dark surfaces need separation. Glossy plates carry narrow reflections; matte fabric absorbs light; leather shows seams; metal shows thickness and joints; feathers and hair use grouped masses before fine edges. Patterns and engravings appear only when requested and follow curvature, ownership, and function. Preserve anatomy, object use, support, access, and perspective. Light appears only on source-facing contours. No complete glowing outline, random chrome highlights, global bloom, flat black collapse, or blank white surfaces. Atmosphere, snow, ash, rain, or dust needs a source and direction. Keep one source, a weak return surface, two to four caused transitions, a focal region, and one low-detail field. Use five values from deep black to white edge. Preserve explicit colors; otherwise use near-monochrome with one restrained accent. Remove praise, mood labels, prestige terms, fake detail, repetition, and unresolved choices. Use concrete nouns and active verbs. No em dash or en dash. GPT: return 500 to 800 words in five paragraphs covering scene, subjects, frame, lattice, halo, transitions, composition, references, text, and failures. NANO: return JSON only, 1000 to 1800 tokens, using "aspect_ratio", "references", "scene", "subjects", "ascendant_frame", "blackglass_lattice", "silverfall_halo", "transitions", "composition", "surface_and_palette", "text", "avoid". Omit unused fields. No metadata, IDs, weights, or comments. Return only the finished prompt.

flatten the bridge completely so it's running just above the surface of the water.

Create an ultra-photorealistic cinematic fashion photograph of an elegant woman riding a powerful {argument name="horse color" default="jet-black"} horse along a {argument name="setting" default="pristine tropical beach"} during a bright, windy afternoon.\n\nSUBJECT:\nA striking adult woman with long, naturally wavy dark hair flowing dramatically in the ocean breeze. She has refined natural facial features, realistic skin texture, subtle pores, delicate facial asymmetry, and a calm, confident expression. She looks slightly toward the camera while maintaining a believable riding posture.\n\nShe is wearing a luxurious flowing {argument name="dress color" default="crimson-red"} off-shoulder dress made from lightweight semi-transparent chiffon and silk. The dress has realistic folds, layered fabric, natural stitching, subtle fabric texture, and a long flowing train extending dramatically behind her. The wind catches different sections of the dress independently, creating complex natural movement rather than a perfectly uniform wave.\n\nHer posture must look like that of a real experienced rider: balanced torso, naturally positioned legs, relaxed but controlled hands holding the reins, realistic contact between her body and the horse.\n\nHORSE:\nA magnificent muscular black horse with a glossy but completely natural coat. Highly detailed facial anatomy, realistic eyes, nostrils, ears, mane, muscles, veins, and individual strands of hair.\n\nThe horse is moving at a fast but believable gallop along the shoreline. Its front legs and rear legs must have anatomically correct positioning and realistic joint movement. Hooves interact naturally with the wet sand, producing small splashes and scattered grains of sand.\n\nThe horse wears an elegant but practical dark leather bridle and saddle with realistic stitching, buckles, leather texture, subtle wear, and believable physical attachment.\n\nENVIRONMENT:\nA breathtaking tropical beach stretching into the distance.\n\nOn the left side, crystal-clear turquoise-blue ocean water approaches the shoreline with small white waves and realistic foam.\n\nBehind the rider are tall tropical palm trees bending slightly in the ocean breeze, dense green vegetation, white sand, and a distant coastline.\n\nThe sky is enormous and dramatic, filled with large naturally shaped cumulus clouds against a rich blue tropical sky.\n\nThe beach should not look artificial or perfectly clean. Include tiny footprints, hoof marks, irregular wet patches, small shells, scattered natural debris, subtle sand texture, and realistic variations in color.\n\nMOVEMENT:\nCapture the exact moment when the horse is galloping beside the water.\n\nThe woman's hair should be blown backward and sideways by the wind, with hundreds of individual strands behaving naturally.\n\nThe red dress should trail behind her in multiple layers, with different sections of fabric

{argument name="subject" default="Golden Gate Bridge"} as if it were a {argument name="dimensions" default="64 x 32"} LED screen and have only one color per pixel

Live-Action Anime Adaptation · Breathing Technique Decisive Battle (15 seconds · Super Burning Special Effects Version) 【Core Focus】: Water Breathing (Blue Water Dragon) VS Thunder Breathing (Golden Lightning), live-action extreme speed duel. 【Style】: Hollywood live-action anime adaptation film quality, dark samurai style, 4K ultra-clear, extreme fast cuts, explosive particle light effects, no gore. 【Duration】: 15 seconds 【Scene】: Misty forest under the moonlight, muddy ground, falling leaves. [00:00-00:05] Shot 1: Water Melody Prelude · Starting Stance (Sense of charging) Visuals: A young samurai wearing a green and black checkered haori (jacket), lowering his center of gravity under the moonlight, gripping his sword with both hands. Action: He takes a deep breath, and the surrounding air instantly solidifies. As he draws his sword, a giant blue water dragon, condensed from high-pressure water flow, appears out of thin air, rotating rapidly around his body and blade, emitting the roar of flowing water. Special Effects Details: The water flow has a realistic sense of splashing, illuminating the dark forest. [00:05-00:10] Shot 2: Thunder Flash · Charge (Sense of extreme speed) Visuals: The opponent, a blonde swordsman wearing a yellow triangular patterned haori, is crouched extremely low, adopting the posture of Iaijutsu (sword drawing technique). Action: The ground suddenly explodes, and he instantly transforms into a dazzling golden lightning afterimage, refracting and charging through the forest in a "Z" shape at a speed undetectable by the naked eye. Special Effects Details: Golden electric arcs and scorched fallen leaves remain in the places he passes. [00:10-00:15] Shot 3: Water and Thunder Collision · Final Sound (Ultimate move clash) Visuals: Extreme speed collision. The young samurai swings the giant blue water dragon down to meet the attack, and the blonde swordsman, transformed into lightning, crashes into him head-on. Action: The two swords violently collide in the center of the frame. Special Effects Spectacle: The blue water dragon and the golden lightning instantly explode, forming a massive water-thunder energy storm that spreads outwards. The surrounding large trees are snapped in half by the energy wave, and mud and light obscure the camera. The scene ends in an extremely dazzling blue, yellow, and white light.

A wide quote card featuring a famous person, with a brown background and a light-gold serif font for the quote: “{argument name="famous_quote" default="Stay Hungry, Stay Foolish"}” and smaller text: “—{argument name="author" default="Steve Jobs"}.” There is a large, subtle quotation mark before the text. The portrait of the person is on the left, the text on the right. The text occupies two-thirds of the image and the portrait one-third, with a slight gradient transition effect on the portrait.